The film is a sequel to Martens' Episode I – Enjoy Poverty (in which he filmed refugees from Chechnya). In an epic journey, the film establishes that images of poverty are the Congo’s most lucrative export, generating more revenue than traditional exports like gold, diamonds, or cocoa. That is what makes the film autoreferential. - To get Episode III: Enjoy Poverty. In an epic journey, the film establishes that images of poverty are the Congo’s most lucrative export, generating more revenue than traditional exports like gold, diamonds, or … Renzo Martens ist ein niederländischer Künstler, der durch seine kontroversen Dokumentationen Episode I (2003) und Episode III: Enjoy Poverty (2008) bekannt wurde. Subsequently, the film was screened at numerous international film festivals and broadcast on thirteen different television channels. Three short opening sequences succinctly frame the work’s interlinked subjects. Produced by Renzo Martens for Renzo Martens Menselijke Activiteiten and Peter Krüger for Inti Films, 2009, video, 90 min. Der international ausgezeichnete Film „Enjoy Poverty“ ist eine Mischung aus Journalismus, Kunst und abgrundtiefer Kritik. Essays on the provocative 2008 film by Renzo Martens, Episode III (Enjoy Poverty). Episode III: Enjoy Poverty. Renzo Martens won the Flemish Culture Prize in 2010 and was nominated for the Artes Mundi Prize in 2014. Martens's film is a conceptual film that satirizes documentaries about poverty in Africa by exposing the ways in which consumers of poverty images enjoy such images. a viewing copy of the film is available at www.enjoypoverty.com Renzo Martens's 2008 film, Episode III (Enjoy Poverty), is a conceptual film that satirizes documentaries about poverty in Africa by exposing the ways in which consumers of poverty images enjoy such spectatorship. Episode III – Enjoy Poverty premiered as the opening film of the International Documentary Film Festival Amsterdam (IDFA) in 2008. Enter the email address you signed up with and we'll email you a reset link. » Download Episode III: Enjoy Poverty. In 2010 Renzo Martens initiated the Institute for Human Activities (IHA) that postulates a gentrification program on a palm oil plantation in the Congolese rainforest. Martens became known for his provocations, including Episode III: Enjoy Poverty (2008), a documentary that suggests that the Congo market their poverty as a natural resource. As with more traditional African exports such as cocoa and gold, the suppliers of this new African commodity hardly benefit from it at all. The festival has chosen Episode 3 - 'Enjoy Poverty' as its opening film as this film... +read more. All these questions are implicitly brought to the fore by the documentary Episode III – Enjoy Poverty (2008) by the Dutch-Belgian artist Renzo Martens. In order to strengthen this truth-claim, Martens has adopted documentary aesthetics such as the hand-held camera. (Albertha Cartwright) EPISODE III: ENJOY POVERTY. Academia.edu uses cookies to personalize content, tailor ads and improve the user experience. Renzo Martens, born in the Netherlands in 1973, studied Political Sciences in Nijmegen and Visual Arts in Ghent and Amsterdam. Episode III: Enjoy Poverty. [1] Episode III – Enjoy Poverty premiered as the opening film of the International Documentary Film Festival Amsterdam (IDFA) in 2008. Directed by Renzo Martens. writer, director, camera. In an epic journey, the film establishes that images of poverty are the Congo’s most lucrative export, generating more revenue than traditional exports like gold, diamonds, or cocoa. The first thing that struck me about Renzo Martens’ new film Episode III – Enjoy Poverty (2008) – confusingly, the second in a trilogy – is the artist’s resemblance to the young Klaus Kinski. I am very easily will get a delight of reading a created pdf. Book Review This book is indeed gripping and fascinating. Enjoy Poverty: Moving from photographic promise to photographic cruelty in the imaging of poverty Episode III: Enjoy Poverty, directed and produced by Martens, is the product of 2 years of filming across the DRC. When hope is flickering in the eyes of the Congolese photographers, it all comes down when they notice they will never obtain a press card to enter closed war zones. The local photographers, who are showing proudly their pictures of marriages and births, are encouraged to face their lenses on the most cruel and shocking situations. PubMed. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. Mitten im Kongo, Fragen über Fragen: Wie kommt es, dass das ins Land geflossene Geld mit Gewinn wieder in die Taschen der Geldgeber zurückfließt? It opens with an image of a plantation field over the diegetic sounds of a worker cutting foliage. In this respect, Martens can only acknowledge the hopeless situation and organizes a party in the jungle to indulge their poverty. Episode III – ‘Enjoy Poverty’ investigates the emotional and economic value of Africa's most lucrative export: filmed poverty. Investigating the economic value of one of the Democratic Republic of the Congo’s most lucrative exports (namely, poverty), Renzo Martens’ provocative film Episode III: Enjoy Poverty (2008) remains a landmark intervention into debates about contemporary art’s relationship to exploitative economies. book. To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser. It is with this in mind that I present an interview with Renzo Martens, the Dutch artist and director of “ Episode III- Enjoy Poverty.” In the film, Martens is travels to the DRC to tell the Congolese people that the greatest resource they have is their poverty and … DVD still. The film is a study of the political claims of contemporary Western art, which are often praised but in many cases at the expense of another exploitation. The film is a sequel to Martens' Episode I – Enjoy Poverty (in which he filmed refugees from Chechnya). ENJOY POVERTY: EPISODE III Alternative; EPISODE 3: ENJOY POVERTY Alternative; Cast & Credits. By using our site, you agree to our collection of information through the use of cookies. In this article it is argued that the political message of the film Episode III: Enjoy Poverty (2008) by Renzo Martens is based on a ‘truth-claim’, enforced by Martens’ presence in the film. Dutch artist Renzo Martens spent three years traveling throughout the Democratic Republic of the Congo asking the question: "Who owns poverty?" Martens criticizes this aspect of contemporary art by repeating it. It normally is not going to price a lot of. This article considers Renzo Martens's controversial 2008 film, Episode III (Enjoy Poverty). Episode III : Enjoy Poverty (2008) is a film by the Dutch artist Renzo Martens. eBook, remember to click the web link listed below and download the file or get access to other information which are highly relevant to Episode III: Enjoy Poverty. Biography. Episode III ‘Enjoy Poverty’ investigates the emotional and economic value of Africa's most lucrative export: filmed poverty. EPISODE 3 'ENJOY POVERTY' by Renzo Martens opens the 21st festival edition of IDFA on 20th of november 2008. Caricature of the 1. Sternberg Press, Berlin-New York, 2020, 143-151, Enjoy Poverty: Humanitarianism and the Testimonial Function of Images, The economy of images of poverty, through a ‘Duchampian lens’. Renzo Martens, born in the Netherlands in 1973, studied Political Sciences in Nijmegen and Visual Arts in Ghent and Amsterdam. In seinen Dokumentarfilmen „Episode I“ (2003) und „Episode III: Enjoy Poverty“ (2008) beleuchtet Martens in seiner Eigenschaft als Künstler die mediale und kulturelle Ausbeutung benachteiligter Menschen. Mit seiner Organisation arbeitet er an einem Gentrifizierungsprogramm und dem Aufbau eines Kunstmarktes im Kongo. Critique in Practice: Renzo Martens’ Episode III: Enjoy Poverty. Academia.edu no longer supports Internet Explorer. In these regions, where poverty is the highest export product, Martens start an emancipation program in which he encourages local communities to monetize their poverty. You can download the paper by clicking the button above. Episode III, also known as 'Enjoy Poverty', is the 90 minute film registration of Renzo Martens' activities in the Congo. Tom Snow . [citation needed], Frieze magazine criticised the film for perpetuating the very thing it was protesting against - the pleasure of watching people in dire circumstances - and also for stereotyping the Congolese plantation workers. Renzo Martens, Episode III - Enjoy Poverty, 2008. [PDF] Episode III: Enjoy Poverty. Episode III: Enjoy poverty 2008. Episode III: Enjoy Poverty is a bombastic film by Dutch artist Renzo Martens that asks questions about foreign aid and gets some surprising answers. Investigating the economic value of one of the Democratic Republic of the Congo's most lucrative exports (namely, poverty), Renzo Martens' provocative film Episode III: Enjoy Poverty (2008) remains a landmark intervention into debates about contemporary art's relationship to exploitative economies. Özge Ersoy New York City. Google Scholar. In Episode III: Enjoy Poverty, Martens visits the Democratic Republic of Congo with a camcorder, a press card, and a neon sign that reads “Please Enjoy Poverty.” The artist initially uses traditional documentary tropes as he presents generic yet very graphic representations of starvation, poverty, and death. Review: Episode III: Enjoy Poverty by Renzo Martens Renzo Martens. Martens and his work become two contrapuntal themes from which a … Biography. As with more traditional African exports such as cocoa and gold, the suppliers of this new African commodity hardly benefit from it at all. For two years, Renzo Martens traveled with his camera through the poorest and most violent areas of the Congolese interior. In this documentary, Brussels based filmmaker and artist Renzo Martens investigates the emotional and economic value of Africa’s most significant export product: filmed poverty. [1], Learn how and when to remove this template message, International Documentary Film Festival Amsterdam, Hot Docs International Film Festival Canada, https://en.wikipedia.org/w/index.php?title=Episode_III:_Enjoy_Poverty&oldid=956722622, Articles needing additional references from February 2015, All articles needing additional references, Articles with unsourced statements from February 2015, Creative Commons Attribution-ShareAlike License, Cultural fund for documentary film, Stipend, Prins Bernhard Cultuurfonds, Netherlands, Price of the Dutch Film Fund, Netherlands, Flanders Cultural Price for Film, Belgium, Hors Pistes, Centre Pompidou, France, nominated, Kunsthalle Charlottenburg, Copenhagen, Denmark, Espace d' Art Contemporain La Tollerie, Clermond Ferrand, France, Württembergischer Kunstverein, Stuttgart, Germany, Helsinki International Film Festival, Finland, Tallinn Black Nights Film Festival, Estonia, Rencontres Internationales du Film Documentaire, Canada, Thessaloniki Documentary Film Festival, Thessaloniki, This page was last edited on 14 May 2020, at 23:07. It's a provocative investigation of the echoes of colonialism in the Democratic Republic of Congo and complex rendering of the ethical dimensions of social engagement. Renzo Martens won the Flemish Culture Prize in 2010 and was nominated for the Artes Mundi Prize in 2014. Episode III, also known as ‘Enjoy Poverty’, is the 90 minute film registration of Renzo Martens’ activities in the Congo. - To get Episode III: Enjoy Poverty. Episode III: Enjoy poverty 2008. Renzo Martens explains carefully how they should shoot the jutting ribs of a malnourished child to make the picture attractive to sell to Western newspapers. The more than anything else. In this article it is argued that the political message of the film Episode III: Enjoy Poverty (2008) by Renzo Martens is based on a ‘truth-claim’, enforced by Martens’ presence in the film. In order to strengthen this truth-claim, Martens has adopted documentary aesthetics such as the hand-held camera. EPISODE III: ENJOY POVERTY. Figure 3 Renzo Martens, still from Episode Figure 2 Congolese photographers, still from Episode III: Enjoy Poverty (courtesy of the artist III: Enjoy Poverty (courtesy of the artist and and Galerie Fons Welters) Galerie Fons Welters) m u lt i m e d i a 397 Enjoy Poverty remains introspective Note byproducts of the suburban regime. Renzo Martens’ essay-film Episode III: Enjoy Poverty (2008) deals – to some crucially, and to others controversially – with the economisation of abject human deprivation and its parallel image industry. To learn more, view our, Evidence, Subjectivity and Verité in Renzo Martens' Episode III: Enjoy Poverty – a Shot-By-Shot Analysis, "Episode III: Enjoy Poverty from a Postcolonial Perspective (2015)", in Anthony Downey and Els Roelandt (eds.). Search for other works by this author on: This Site. Sorry, preview is currently unavailable. Viewing Episode III-Please Enjoy Poverty on its own is shocking but with the artist talking about it, it makes it unethical. Özge Ersoy. Alfredo Jaar, The Sound of Silence and Renzo Martens, Enjoy Poverty, Episode 111 , Roundtable One: A discussion of Renzo Martens’s Episode III (Enjoy Poverty) (2009). Dutch artist Renzo Martens' Episode III - Enjoy Poverty (2008) was screened this evening. Martens’ Episode III: Enjoy Poverty – a Shot-By-Shot Analysis Sanne Sinnige Abstract In this article it is argued that the political message of the film Episode III: Enjoy Poverty (2008) by Renzo Martens is based on a ‘truth-claim’, enforced by Martens’ presence in the film. Without taking a close defined position against this injustice and exploitation, the film unfolds itself as the point of critique as such. It is a film about the Democratic Republic of Congo, a country with large reserves of raw materials. 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