Masculin Féminin was somewhat of a turning point for Godard, allowing the Novelle Vague auteur to address for the first time the current political climate of the world in one of his films. As on his earlier film Vivre sa vie (1962), Jean-Luc Godard rejects the conventional narrative form and instead constructs the film from fifteen self-contained, loosely connected tableaux. Masculin Féminin – 1966 Godard One can view Godard’s unprecedented run through the sixties as postmodern genre revisionism. Masculin Féminin is one of the most acclaimed films from the famed French New Wave director Jean-Luc Godard.Masculin Féminin is a trifecta: a fascinating character study, a chaotic look at a relationship, and a showcase of 1960s France. With Masculin féminin, ruthless stylist and iconoclast Jean-Luc Godard introduces the world to “the children of Marx and Coca-Cola,” through a gang of restless youths engaged in hopeless love affairs with music, revolution, and one another. The young idealist meets Madelaine (Chantal Goya), an aspiring singer, in a café. The youths are always at it again, although Jean Luc Godard’s seminal Masculin Féminin (out on Criterion this week ) remains one of the earliest and bluntest films about the youths being at it.It being pursuing a career in the arts to avoid adulthood; It being the search for sexual dalliances; it being the endless political fight for socialism in the face of a working-class future. Much like the typical Godard film of the 60s, Masculin Féminin uses a budding relationship to pedal the wheel of much larger and broader themes like love, consumerism, liberty, sexuality, the concept of gender roles, social qualms, and the passiveness of the modern society in which the film takes place. They feature heavily in his 1966 film Masculin Féminin. But this, perversely, makes for a fresh, deeply stimulating and, arguably, more watchable film. Jean-Luc Godard's French New Wave classic starting Chantal Goya and Jean-Pierre Léaud With The composition of Masculin, féminin is almost as daringly innovative and provocative as its subject matter. About love and sex and youth and politics in 1960s Paris, Godard’s MASCULIN FEMININ is the director at his most stylish and inventive—a loose adaptation (based on the stories of 19th century writer Guy de Maupassant) that becomes something entirely its own in this cinematic translation. Pour plus de détails, voir Fiche technique et Distribution Masculin féminin est un film franco - suédois réalisé par Jean-Luc Godard , sorti en 1966 . The film is not driven by a central plot, rather, it explores a variety of topics. Masculin, Féminin is a feisty experiment, and yet not what Godard truly wanted to do with the medium. In many ways, this is the perfect Godard film—complex but accessible, critical but sympathetic—and in many ways anticipates 1967’s Weekend. 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