(2019, July 3). I would argue however, in addition to the prevalent use of red in his art-house films, there are several supporting colors (black, white, grey, blue), intertwining with the color red. The household in the film ‘Raise the Red Lantern’ convey a patriarchal system. The sedan chair had been meant for Songlian. It divides and conquers. She was led through the house by the house keeper when she meets her future maid, whom she has some conflict with when Yan’er refuses to let her use the water to wash her arm and face, Songlian instantly stands up and tells yan’er to bring her bag furiously, attempting to establish her position in the household. The relationships... ...Raise the Red Lantern Directed by Yimou Zhang. Camera angles played an important role of capturing movement and important details of the story, for example the establishing shot was a close up of Songlian which was an effective way of capturing her emotions and facial expression allowing the emotion to be sent to the audience more directly. In both cases, one involving a rich man and the other a poor woman, money is the inspiration for dominance. That the movie is lush and beautiful, rather than stark and barren--that its story involves luxury rather than the vile brothels of the time--suggests, I believe, that men are wrong to excuse wrong treatment of women on the grounds of "how well they are treated.". Character Analysis of the Four Wives and the Maid Yan’er in the Film Raise the Red Lantern, Analysis: “City of Sadness” by Dir. You can use them for inspiration, an insight into a particular topic, a handy source of reference, or even just as a template of a certain type of paper. This change, in conjunction with deep focus, would alter the thematic implications of these scenes by introducing the faces of these nameless men directly into the world of the wives, they would be literally, looking over their shoulders. It is our gaze which is implicated in the act of patriarchal subjugation. In addition, on the night of her marriage a full shot of Songlian’s room was used to show how she is framed by the bed and red lanterns shows how she’s been packaged for the master’s pleasure. The camera would then shift to a P.O.V. However, it can be also interesting to look into female behavioral patterns in certain circumstances. (Incredibly, this subject is handled in a movie that was rated PG!) In ¡§Raise the Red Lantern¡¨, the red lantern, an invented icon here (and one accused of being a fake cultural signifier used merely for sensational purposes), is the film¡¦s central symbol and most important metaphor. By continuing we’ll assume you’re on board with our cookie policy, The input space is limited by 250 symbols. She is also accustomed to certain degree of freedom. Not all of the generation's films were approved by Chinese authorities for wide domestic release, but they were a valuable source of foreign exchange and found world audiences; "Raise the Red Lantern" tied for the Silver Lion at Venice and was nominated for an Oscar. Raise the Red Lantern is a movie that kidnaps you to a foreign place and immerses you completely with new traditions. It seems she simply stopped fighting a long time ago. She is beautiful, and her beauty is one of the subjects of the film, which the director photographs voluptuously. Additional materials, such as the best quotations, synonyms and word definitions to make your writing easier are Character Analysis of the Four Wives and the Maid Yan’er in the Film Raise the Red Lantern. ), The movie is divided into a prologue and five segments, all but one ending with a closeup of Songlian. Both allegiances and grievances between concubines and Yan’er shift as deceptions are mutually unearthed. It tells the tragic story of 19 year old University student Songlian who becomes the fourth mistress in the wealthy Chen family after her father’s death. Notably, it was believed that females were to be protected from the hardships of the world within their families in the 1920s (Neo 3). "Raise the Red Lantern" is told so directly and beautifully, with such confidence, with so little evidence of compromise. she is trying to carry on intrigues. Zhang, in his version, shoots these from a high angle and the camera is fixed in the inner courtyard. ASIA 355 The film dwells upon social and political peculiarities of the Chinese society of the 1920s. The supporting colors provide a deeper analytical meaning to the symbolic readings of red in Zhang’s films, which represent several themes. Notably, she is quite successful in her attempts. Essay, 2 pages. Yan’er is dreaming about becoming the Master’s mistress. IvyPanda. Much is made of the family's customs. Color Analysis in Raised the Red Lantern Essay 879 Words 4 Pages Color Emphasis in Raise the Red Lantern Chen Ning (Jenny) Yen 58935107 ASIA 355 Professor Rui Wang 23/11/2012 Scholars and film critiques have often regarded the fifth-generation film Director, … Thus rationed, the sky seems to offer temporary relief from oppression. She cannot leave the courtyard, so she develops her own type of escape. She comforts the fourth and the youngest mistress, Songlian, and tells her all about the courtyard. ...RAISE THE RED LANTERN SCENE ANALYSIS Meishan tries to revolt against the game, but she has a few tools for that. In the opening scene, with Songolian and her stepmother, the focus of the camera would still be a medium close up of Songolian; but, the previously unseen mother would now be seen in the extreme background and edges of the frame. Cookies Policy, This term paper on Character Analysis of the Four Wives and the Maid Yan’er in the Film Raise the Red Lantern was written and submitted by your fellow student. The atmosphere is full of anger and jealousy. We use cookies to give you the best experience possible. Using deep focus and choreographing her movements the mother’s character would still remain faceless, but would seem more tangible and the feeling of distance between the mother and her stepdaughter could be re- enforced. We use cookies to give you the best experience possible. The women's McFarlane, Brian. The film was later adapted into an acclaimed ballet of the same title by the National Ballet of China, also directed by Zhang. This is because Song lian changes according to the way people treat her within the household, for example the way Yan’er rudely rejected her at the start triggered her first personality change. You can get your custom paper from our The film is divided into seasonal chapters, each commencing with a high-angled, voyeuristic stare down into the complex. Instead of placing an emphasis on the feeling of the palace’s physical ‘discontinuity’ created by Zhang’s shots, this change would emphasize the magnitude of the structure itself, reenforcing the feeling of a well established and developed tradition and the insignificance of one small woman. The other type of shot used above the roof level would be the fixed frame shots involving two or more characters at a distance; Toland would again use this opportunity to utilize his mastery of deep focus, keeping both of the characters in focus while displaying the distance between the two. He already has three wives, each of them living in separate houses within his compound. This rebel costs Yan’er her life. In what ways is power abused? If, however, the team of Orson Welles and Greg Toland had produced the same film it would take on an entirely different look and feel. When the husband is finally introduced into the film, the W-T team would shoot the husband as a faceless character, just as Zhang had done. One obvious theme in this film (as well as several others directed by Zhang Yimou) is subjugation of women. This scene was taken using a close up of her face and the tears when she said those words. This single shot anticipates the entire film in microcosm as Songlian’s perverse surrender is in itself a supreme defiance, a destructive act of passive aggression that signals how she and the women she will meet are to behave towards each other. The house is the neutral backdrop, sometimes seen covered with rain or snow, but the interiors of the four apartments are seen in rich colors, bright red predominant, so that to enter one of these domains is to be in a space visually marked out for passion. The purpose of this scene is to show how dramatically Song lian’s polite school girl personality changes into those of a cranky, uneducated woman. Therefore, women could be treated as objects, i.e. If the directors and actors of that burst of creativity have never quite equaled it since, perhaps it is because they were originally inspired by the long frustration they experienced before China's arts began to open up. China in the 1920s. He destroys the toy he does not like. Print. Here, as in many of Zhang’s films with Gong Li, the camera uses the cinematic formula of scrutinising the female through the male gaze (Gong is coded, as feminist film theorist Laura Mulvey calls it, with ‘to be looked-at-ness’). our expert writers, Hi, my name is Jenn Each night Chen chooses the wife with whom to spend the night and a red lantern is lit in front of the house of his choice. In both films, the protagonist enters a closed system from which there is no escape, and life is ruled by long-established "customs." The spectator is thus positioned as her tormentor, forced to watch as this acceptance of fate overwhelms her. As the story proceeds, she walks to the household without taking the bridal carriage, still wearing her school girl costume. Upon arrival to the Chen's estate, Songlian was greeted with open arms and was treated like royalty. 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As the story proceeds, she walks to the household without taking the bridal carriage, still wearing her school girl costume. The shot would probably be a tracking shot that changed angle and distance continuously, possibly even violating the 180 degree rule, in order to give the camera a bird like point of view. Songhian and the audience quickly learn the rules of the Master's beautifully designed compound, whichever wife the Master currently favors is graced by his attention, lavish foot massages, and many brillantly lit red lanterns.

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