Four episodes left; which is roughly 17 Michael Caine impressions. Coogan and Brydon played up their personas to become a sharp comedy double-act: Coogan is the suffering straight man with pretentious ambitions and an insatiable appetite for women; Brydon is a happy family man and daffy stooge who’ll never be knocked down by his cohort’s caustic attitude.

Your enjoyment of Trip to Greece will depend on how much of a kick you get from watching rich people drink wine, savor delicious meals and enjoy the high life. In this setting, his self-important jibes about Brydon being a “light entertainer” while bragging about his own successes has lost its charm. Maybe we’re meant to laugh and feel frustrated and flummoxed by this jarring journey. The tentative reaching out; the inability to take it seriously; the mutual relief that they didn’t; a dad joke. Brydon will break through eventually.

It’s a trek that wends through Turkey and Macedonia, and gives Brydon and Coogan ample opportunity to riff on the nature and value of imitation. With The Trip to Greece, the balance shifts from cheeky self-awareness to battered rehashing as the two discuss the inevitably of repeating yourself as the years drag on. The Trip to Greece (Sky One) is to be Coogan and Brydon’s last. Brydon has his own marital ups and downs, but often ends the films a far sight happier than Coogan does. Cynics will tell you that the show is boring and self-indulgent (it’s one, but certainly not the other), merely dinner and impressions; yet for all the semi-improvised waffle over grub, the economy of Winterbottom’s writing is superb. Related monitoring_string = "df292225381015080a5c6c04a6e2c2dc". In each film, the men banter amid sumptuous surroundings while B-plots deal in loss, self-doubt, and failure both personal and professional.

Coogan’s existential struggles this time around come in the form of his sick father (Richard Clews), which hangs like a dark cloud over most of the film. I don’t know enough about either actor to differentiate fact from fiction, suffice to say some of the more dramatic scenes felt a tad, ah, forced. Yet these emotional beats hit limply, feeling more required than earned. ), that occasionally ingenious comic who, at the behest of the writer-director Michael Winterbottom, has travelled far and wide on a self-satirising, boundary-blurring culinary adventure called The Trip. Why not now? “I played Hades in Percy Jackson,” Coogan says at one point.“That’s right. It’s a formula that has worked for the past three movies, and which director Michael Winterbottom repeats again with a heavier dose of melancholy in The Trip to Greece.

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