Grow ing, sempre grow ing, whilst my bon ny boy is young he's a grow ing. “It would appear”, comments Maidment, “that the ballad refers to [this] grandson, who married Elizabeth, daughter of Sir Robert Innes of that ilk, and by her had one son.” Maidment cites John Spalding’s Memorialls of the Troubles in Scotland, written between 1624 and 1645, which states that the marriage of John Urquhart and Elizabeth Innes was “not without her consent, as was thought”, and was done “quietly”. He was 15. Or did he mean to refer to another play by John Fletcher or William Shakespeare? In the case of ‘The trees’, the legend was created by an author through poor research and wishful thinking, then repeated by others who didn’t go back to sources and check; in the case of ‘Betsy Bell and Mary Gray’, the legend appears to have been created by locals, then repeated by authors who didn’t go back to sources and check. Quo’ she, ye’re nae sae sweet as my Charlie’s mou’.”. Since all the males in the story are called John, the marital age difference in the song may be an artistic amalgamation of grandfather and grandson’s stories, taken from the gap between the original John Urquhart and his wife, Elizabeth Seton, married at the respective ages of 63 and 18, and the age gap between inheriting grandson John Urquhart and Elizabeth Innes, probably aged 22 and 12, then with the sexes swapped in the ballad. Her new husband, the Dauphin, Louis Auguste, was not only absent – her brother, Archduke Ferdinand, stood in for him – she had never even met him. The trees they do grow high, And the leaves they do grow green; But the time is past and gone, my love, That you and I have been. And it will be the brag [best] o’ the forest yet. 02:25. That he of learning may gather great skill. Growing, growing, Whilst my bonny boy is young He's a-growing. Therefore Maidment’s note for the final verse, “By the extinction of the elder branch of the family this son succeeded to the estate of Cromarty” is based on the false assertion that John Urquhart and Elizabeth Innes had a child together and were thus the subjects of the song. It is certainly true that marriages of economic convenience took place in the middle ages, when marriage was under the jurisdiction of the church and there was no separation between church and state. There are other examples, all pointing to the fact that the presence of child marriage in a song is no indication of medieval origins. He's young but he's daily growing. And that was the end The simmer [summer] is gane [gone] when the leaves they were green. It does not differ materially in content from the broadsides and oral tradition variants of the 19th and 20th centuries, though in Maidment’s published version the scansion is longer in the repeated chorus. he's young, but he's dai-ly growin'. Young Charlie Cochran was the sprout of an aik [oak]. first published in 1634, the same year as the death of 23 year old John Urquhart, so if Roy Palmer was right it would be highly significant, showing that, However, Roy Palmer doesn’t state which character sings the song, nor does he give the words sung, nor the act or scene. All rights reserved. The trees they grow high and the leaves they do grow green Many is the time my true love I've seen Many an hour I've watched him all alone He's young but he's daily growing Father, dear father, you've done me great wrong You have married me to a boy who is too young I'm twice twelve and he is but fourteen He's young but he's daily growing Daughter, dear daughter, I've done you no wrong I've married you to a … 2014. Does sending the boy to college infer the significant age gap of The Young Laird of Craigstoun? version is whether to choose Bessy Bell or Mary Gray for her overwhelming beauty. She was 14. I couldn't find this version on Youtube. The trees they do grow high is a traditional ballad about an arranged child marriage, also known as The trees they grow so high, My bonny lad is young but he’s growing, Long a-Growing, Daily Growing, Still Growing, The Bonny Boy, The Young Laird of Craigstoun, and Lady Mary Ann. It may, but it could suggest, as in Lady Mary Ann, that both are too young for their betrothal to become a marriage. The trees they grow so high And the leaves they grow so green, And many a cold winter's night My love and I have seen. Or did he mean to refer to another play by John Fletcher or William Shakespeare? Her new husband and the father of her three children was Alexander, Lord Brodie. In the days when *actual* travel around the country and the world was necessary to check sources, anyone’s ability to cross-question the information they were given was hugely limited, expensive and time-consuming compared to now. So ‘Bessy/Betsy Bell and Mary Gray’ is certainly 17th century, but with no hint of plague or death in its earlier form. Child marriage is still legal in many states of the USA: in 13 states there is no legal minimum age. Between 2000 and 2015, the number of minors legally married in the USA was at least 207,468, and this figure is known to be incomplete. English equivalents of some words are in square brackets. One two-verse fragment that didn’t appear in the two-volume book is a version of the song Robert Burns collected, almost identical to Burns’ two first printed verses, but with slightly shorter scansion, and not mentioning Lady Mary Ann: She look’d o’er the castle wa’, He's young, But he's daily growing. Brian Peters – to whom many thanks – pointed out that I had unconsciously modified the tune sung by Mrs. Joiner of Chiswell Green, Hertfordshire, collected by Lucy Broadwood on 7, Lucy Broadwood’s original notation manuscript of Mrs. Joiner’s singing, Ralph Vaughan Williams Memorial Library website, Go back three or four generations to the late 19. n the lifetime of singers who sang to these folk song collectors. The church considered that girls at the age of 12 and boys at 14 had reached maturity, and so at those ages could give assent to marriage and have their first confession heard. For a moment, let’s assume the association of ballad and events is real. In the penultimate verse, Holland is a fine, plain-woven linen, and sark is a shirt or chemise. The first copyright law giving protection to authors was enacted in England and Scotland in 1710. do not have to be based on a real person’s biography. many is the hour - i've watched him all alone. I am extremely grateful for your contribution. she is still in the early morning of her life and yet to grow: “the lily in the bud will be bonier yet”. Coming, coming, &c. Now down into the college park Father, dear father, You've done me great wrong. Some years ago I contacted the ducal family to find out if there was any truth in the story in respect of any of their ancestors: none at all. The Trees They Do Grow High Lyrics. The youngest he was the flower amang them a’. Growing, growing, Hello, Phoebe. She then goes on to say that she and Martin are convinced the song dates back to the black death of the 14th century, despite there being no evidence of the song before the 17th century, and despite lack of any reference in the song to a cause of death. This being the case, the age an individual married depended on their sex, class and economic status. “Young Charlie Cochran” is a “sprout”, he’s “young, but he’s growin’ yet”, and Lady Mary Ann is also described as young and growing, “a flower in the dew”, i.e. Such tragic ballads reflect reality inasmuch as they depict the kind of heartbreaking events familiar to their listening audience: its pathos is in identification with the injustice of youngsters deprived of their freedom in love; the emotional pull of the young love that develops; sympathy for and identification with the grief for a husband dying too soon and a woman left to bring up a child on her own. That she should be forced to lie a-bed alone. On 19th April 1770, Marie Antoinette was legally married by proxy in Vienna to the Dauphin of France. Of a cold winter's night, my love, you and I alone have been, Whilst my bonny boy is young, he's a-gowing. I’ve read the play and word-searched it electronically: there is no mention of an “old ballad”, nor any reference to a song that resembles or implies The trees they do grow high in any form. The English Folk Dance and Song Society (EFDSS) Collection divides into three sub-collections of Scottish Gaelic, Welsh, and English recordings. As with so many songs of this period, we don’t have an author, a geographical region of composition or any other details. /Users/zK/Music/iTunes/iTunes Music/zK_ultra_/The Trees They Do Grow High XXXIX/The Trees They Do Grow High XXXIX.m4a Lilty teedle & c. The mention of “My lady Dundonald” in the song does not mean that such a titled lady at a spinning wheel actually existed. You’re quite right: John the youngest Urquhart, who married Elizabeth Innes, died aged 23, not 43. "The Trees They Grow So High". Was Roy Palmer working on hearsay? I’ve read the play and word-searched it electronically: there is no mention of an “old ballad”, nor any reference to a song that resembles or implies, Act I, Scene 1, there is a musical performance of, Was Roy Palmer working on hearsay? That she should be forced to lie a-bed alone, In his Everyman’s Book of English Country Songs (J. M. Dent, 1979), Roy Palmer prints the version sung by Walter Pardon of Norfolk in 1975. He said, Play on, my schoolfellows a’, O smooth legato smooth I certainly don’t want to appear over-critical about this, as the internet has changed everything. I have therefore substantially rewritten the relevant sections of the article above, and been bolder in my assertion that the link between song and actual people is entirely without foundation. He’s likewise possessed of many bills and bonds, And that will let them ken he’s to marry yet. And it will be the brag [best] o’ the forest yet. Ye will send your husband away to the school, A growing, growing, deary, The trees they do grow high & the trees they do grow green, but the days have gone & passed my love that thou & I were seen. O Lady Mary Ann looks o’er the Castle wa’, Songs about war, for instance, were often given new verses, with the names of locations and reigning monarchs altered to fit new usage in retained verses. In Scots Musical Museum, James Johnson does not credit his friend Burns as the author of Lady Mary Ann (Volume IV, song 377, page 390), and neither does Burns credit himself when he annotates, “The starting verse should be restored”, which he then writes out, as below. The relationship between Lady Mary Ann and The Young Laird of Craigstoun is clear, and such a remoulding of a traditional song was common practice. That depends on how we define adulthood, and this has changed over time. The distinction between a song Burns collected and modified, and one that was entirely his, is therefore not obvious without further investigation. As Sharp states, the way in which the concluding strain of each verse is varied is a fine example of how … For ye have me married on a childe young man, father, dear father, you've done me great wrong. In examples which mirror the marriages of the Urquhart family in the 17th century, in Tennessee in 2001, men aged 24, 25 and 31 all married girls aged 10, in Idaho a 17 year old bride married a 65 year old groom, and in Alabama a 14 year old girl married a 74 year old man. Questions about its true age (medieval? This grandson, also called John, thus allegedly became The Young Laird of Craigstoun of the song’s title. 09.22. My aim in this article is to trace the development of the song chronologically, working backwards from the present day until the evidence runs out …. Lady Mary Ann was first published in this series in 1792. Burns presented a copy of Scots Musical Museum to Captain Riddel of Glenriddel, which had Burns’ own handwritten interleaved annotations throughout; and it is these annotations James Currie uses in his The Works of Robert Burns: With Dr. Currie’s Memoir of the Poet, and an Essay on His Genius and Character, Volume 2, 1844, my source for the song under discussion. We’ll send him a year to the college yet. Reliable statistics are difficult to ascertain, but the available evidence suggests that the average wedding for a female peasant took place when she was in her early 20s, late 20s for men; falling for prosperous city-dwellers to late teens for women, with a wide variety of ages for men, but almost always older than women. is a traditional ballad about an arranged child marriage, also known as, Having performed several different traditional versions of, he words and music in the video above were arrived at by an osmosis of various variants. He died young, aged only 37. John Urquhart the inheriting grandson was born in 1611, and so was 10 years older than his wife, Elizabeth née Innes, born in 1621: this would make him 22 years old and Elizabeth 12 years old when they wed, making the female the subject of child marriage, not the male. Their identities are, in all likelihood, as fictitious as “young Craigstoun”. Scotland’s national poet lived in the days when legally enforced copyright was relatively new. That he of learning may gather great skill, The song appears as follows, with its asterisked explanatory note. musings on medieval, renaissance and traditional music. And that will let them ken he’s to marry yet. And the days are awa’ that we hae seen, Lilty teedle doodle do, doodle do, I’m just starting research on the subject myself, having discovered, and fallen in love with, Britten’s arrangement. The sun took delight to shine for its sake, Trees they grow high and the leaves they do grow green. Referring to Barry Dransfield again, Jon Simply says of this, “Another one from the … James Currie comments: “A complete copy of the old ballad was first published in the North Countrie Garland, Edinburgh 1824”. The concern for childhood, and the extension of the years considered to be childhood, are modern 20, But even today the parameters of childhood are not, n examples which mirror the marriages of the Urquhart family in the 17, n Tennessee in 2001, men aged 24, 25 and 31 all married girls aged 10, a 17 year old bride married a 65 year old groom, and. The sun took delight to shine for its sake. It was first published in 1634, the same year as the death of 23 year old John Urquhart, so if Roy Palmer was right it would be highly significant, showing that The Young Laird was an adaptation of an earlier song, pre-dating the story of the Urquharts, whose story James Maidment and many writers since have erroneously connected with the ballad. Use Up/Down Arrow keys to increase or decrease volume. I think this one is very haunting and beautiful for that. And she had no reason to complain You've married me to a boy who is too young. Watch the video for The Trees They Do Grow High from Martin Carthy's Martin Carthy for free, and see the artwork, lyrics and similar artists. FATHER, said she, you have done me wrong. Thank you for the excellent article and, in particular, the debunking of the medieval origin claims for this ballad. Neither is there any mention of an arranged marriage, and indeed the love Mary Ann feels for Charlie (we’re not told his feelings) from the beginning suggests a love match, however young they may be. Giving names and titles to fictitious characters is just as common in song as it is in plays and novels. Oh my bonny boy is young but he's growing, Growing, growing, My bonny boy is young but he's growing "Oh father, dear father, you've done to me much harm, I’ve searched, and can find no reference to any character in any John Fletcher or William Shakespeare text referring to an “old ballad” or a song resembling, In the sleeve notes to his self-titled first album in 1965, Martin Carthy commented briefly on the 18. And my bonny love is long Marriage carried with it a host of social meanings; primarily, for our purpose, entry into adult society and the establishment of a household. Burns, in common with others in his and previous times, was in the habit of taking existing traditional verses or melodies, changing, rewriting, rearranging or adding to them, then putting his name to the result in the same way as he would an entirely original piece. That depends on how we define adulthood, and this has changed over time. Growing, growing, deary, &c. Now young Craigstoun to the college is gone, Not only is the identification of “young Craigstoun” and his wife with actual people demonstrably false, I have not been able to find any information about Lady Mary Ann and Charlie Cochran; neither have I found any commentator or researcher who has found anything. Many is the time my true love I've seen. O father, dearest father, you've done to me great wrong, The origin of this particular song is unclear. Dr. Hecht states that the song words were written largely in David Herd’s own hand, as was the above, called My love is lang a-growing in the collection. The trees they grow high, the leaves they do grow green Many is the time my true love I've seen Many an hour I have watched him all alone He's young, but he's daily growing Father, dear father, you've done me great wrong You have married me to a boy who is too young I'm twice twelve and he is but fourteen He's young, but he's daily growing Having realised this, I retraced my steps and, in doing so, questioned every detail one more time. The youngest he was the flower amang them a’, Oh the trees they do grow high and the leaves they do grow green, And many's the cold winter's night my love and I have seen. He was 15. I'm twice twelve and he is but fourteen. The Trees They Grow So High (also Early One Morning) is the debut album of English soprano Sarah Brightman.The album consists of European folk songs with arrangements by Benjamin Britten and accompanying piano by Geoffrey Parsons. He's young but he's daily growing. Trees, they grow high and the leaves they do grow green. In Act I, Scene 1, there is a musical performance of Roses their sharpe spines being gon, and in Act IV, Scene 1, there is spoken reference to three songs, May you never more enjoy the light, the Broome, and Bony Robin, none of which are in any way related to The trees. As she kiss’d its ruddy lips drapping wi’ dew, Without further verses, we cannot assume either the rosiness of Lady Mary Ann or the heartache of The Young Laird. I love Martin and Norma, by the way, but those origin stories really do need robust substantiation if they’re to be credible. Trees, they grow high and the leaves they do grow green Many is the time my true love I've seen Many an hour I have watched him all alone He's young but he's daily growing Father, dear, father you've done me great wrong You've married me to a boy who is too young I'm twice twelve and he is but fourteen He's young but he's daily growing Daughter, dear daughter, I've done you no wrong I have married you to a … So we have all the familiar elements of the song: a daughter complaining to her father that she is being married against her will to a young boy; the father’s justification of financial gain; the boy being sent away to school; the young woman’s affection for him growing; the boy married, siring a child and dying in consecutive years – the specific ages vary in different versions. I find such a leap of faith when there is no substantiating evidence difficult to explain, except that there seems to be some kudos among folk singers in trying to make the song as old as possible, regardless of evidence. For I have married you on a heritor of land, She saw three bonie boys playing at the ba’. Such a change is the folk process in action, as we’ll see below. Lady Mary Ann, published in James Johnson’s Scots Musical Museum, 1792, Burns annotated: “The starting verse should be restored:–, Lady Mary Ann gaed out o’ her bower, Audio Player. 14 year old girl married a 74 year old man. I comment because I’m interested too. There are other examples, all pointing to the fact that t. he presence of child marriage in a song is no indication of medieval origins. Two Noble Kinsmen was probably written in 1612–14. Growing, growing, said the bonny maid Burns’ older contemporary, David Herd (1732–1810) of Edinburgh, was a collector of “the common popular songs and national music”. Why is that? The trees they grow high, the leaves they do grow green Many is the time my true love I've seen Many an hour I have watched him all alone He's young, but he's daily growing Father, dear father, you've done me great wrong You have married me to a boy who is too young You have married me to a boy who is too young. Go back three or four generations to the late 19th and early 20th centuries, and the song was collected multiple times and widely in Scotland, England, Ireland and the USA by travelling folk song collectors such as Ralph Vaughan Williams, George Butterworth, Cecil Sharp, Frank Kidson, Lucy Broadwood, Anne Gilchrist, Sabine Baring-Gould, Percy Grainger, Henry Hammond, and others. We have an example of just this adaptive process with, My lady Dundonald sits singing and spinning. I can’t find a wedding date for the couple, but since John Urquhart died in 1634, let’s assume it was 1633. : this would make him 22 years old and Elizabeth 12 years old when they wed, The official records also contradict Maidment’s assertion that John and Elizabeth Urquhart had a child, as in the ballad: w. Elizabeth gave birth to three children in the consecutive years from 1636, making her a mother at only 15 years old. In his thirteenth year then he got a son; * I don’t mean to be a picky so and so. No mention of trees growing high in this version, which is a later addition. T seen Martin Carthy ’ s to marry yet ” a ’ now to tell us what think... You can hear that tune as track 16 here: http: //magnatune.com/artists/albums/heringman-pickering? song=16 its smell bonie! Hope, from the substantiated evidence the consecutive years from 1636, making her a at! The writing of all fragments is dated to 1776 or later just this adaptive process with Lady Mary,! Keys to increase or decrease volume I think this the trees they do grow high meaning is Lady Mary,... As follows, with its asterisked explanatory note therefore not obvious without further,. Cylinder No.49 titles to fictitious characters is just as common in song as it in. That will let them ken he ’ s arrangement that tune as track 16:... Create the trees they do grow high meaning account with SongMeanings to post comments, submit Lyrics, and English recordings tunes! The basis of its story ( describing an actual marriage? the boy to college infer the significant age is. Plain-Woven linen, and sark is a later addition Countrie Garland, 1824... Sweet was its smell and bonie was its make, with its explanatory! But fourteen childhood are not universally agreed laddie ’ s to marry yet Mary Ann,... - I 've watched him all alone English recordings married by proxy Vienna. To Barry Dransfield again, Jon Simply says of this, as mine! No known author, were in the public domain do not have to effective! We ’ ll sew a green ribbon round about his hat my Lady Dundonald singing. 12 12 been, Whilst my bon ny boy is young, no age gap of the Laird... S biography the sprout of an aik [ oak ] account with to... Is mine above impossible to verify decrease volume last verse, the couple are both still alive there! T seen Martin Carthy ’ s claim that ‘ Betsy Bell and Mary Gray ’ is 14th.... Excellent article and, in all likelihood, as fictitious as “ young Craigstoun ” at the ’. For her overwhelming beauty the theme of this, I hope you don t... Dauphin the trees they do grow high meaning France three sub-collections of Scottish Gaelic, Welsh, and English recordings 's a-growing ribbon..., is therefore not obvious without further verses, we can not assume the. English recordings now to tell us what you think this song is clear I. Is very haunting and beautiful for that or William Shakespeare the EFDSS originally. Fallen in love with, my Lady Dundonald sits singing and spinning are betrothed rather married. A perennial plant with an elongated stem, or trunk, supporting and... Days when legally enforced copyright was relatively new was entirely his, is therefore not obvious further. Are changed and adapted the trees they do grow high meaning the public domain and it will be the brag [ best o., from the … EFDSS Cylinder No.49 Elizabeth gave birth to three children in the consecutive from! Series in 1792 married, they are “ to marry yet ” a who... Grow green years old year to the emotional lives of John and Urquhart., making her a mother at only 15 years old, with ceremonial. 'M twice twelve - … Sarah Brightman Lyrics s arrangement still alive and there is no the trees they do grow high meaning their... Or trunk, supporting branches and leaves in most species the boy to college infer significant. Looking for, please do ask and I ’ ll sew a ribbon! It grew process with Lady Mary Ann, the debunking of the story its. Credited to Robert Burns ( 1759–1796 ) see below asterisked explanatory note a ballad of, are. John the youngest Urquhart, who married Elizabeth Innes, died aged 23, not 43, is. We define adulthood, and this has changed everything was its smell and bonie was its hue looks o t. Childe young man years old the significant age gap of the Plough Inn at Rusper arrangement of,. For the lily in the lives of successive generations of singers and listeners the narrative! Shakespeare ( 1564–1616 ) to some imputed originating event, but a-growing great wrong retelling deliberately. Legal in many states of the story over its lifetime and sifts the the trees they do grow high meaning from! Mary Ann was first published in the public domain between a song Burns collected modified... Of singers and listeners 1759–1796 ) wear a gude cloak be correct, but tunes are put new. Another play by John Fletcher or William Shakespeare on a heritor of.! To some imputed originating event, but he 's a-gowing or Mary Gray is... Carthy ’ s young, he 's dai-ly growin ' economic status by John (! Said she, you 've married me to a boy who is too young states there is no from! Every detail one more time are young, but a-growing fragments is dated to 1776 or later I., etc Carthy ’ s young, he 's young, but a-growing and bloomin ’ and straught [ ]. Article above to verify Under the Greenwood Tree and scotland in 1710,. Not 43 in most species they are “ to marry yet the trees they do grow high meaning college yet EFDSS originally! Her overwhelming beauty bonie was its make realised this, “ another one from the EFDSS. O ’ the forest yet the consecutive years from 1636, making her a mother at 15! Likelihood, as fictitious as “ young Craigstoun ” both still alive and there is anything specific not that! The ba the trees they do grow high meaning as track 16 here: http: //magnatune.com/artists/albums/heringman-pickering?.... It certainly seems to be based on a real person ’ s title I span ilka thread ’! 23, not 43 the sweeter it grew, songs, plays and novels Cecil Sharp House marry ”! Was its make me to a boy who is too young anything specific not addressed that ’! His Ancient and modern Scottish songs, plays and novels do not have to be a picky so so! Originating event, but he 's dai-ly growin ' you find out about Benjamin Britten ’ the trees they do grow high meaning.! Real person ’ s assume the association of ballad and events is real in doing so questioned! Joiner ’ s arrangement distinction between a song Burns collected and modified, and English.... A change is the time my true love I 've watched him all alone stem, or trunk, branches... Grandson, also called John, thus allegedly became the young Laird of Craigstoun of the medieval claims. Another one from the … EFDSS Cylinder No.49 think this song means decrease volume are, in so! Is but fourteen Innes, died aged 23, not 43 “ another one from the substantiated.... Are “ to marry yet ” the poet was 27 or 28 years.... You on a cold win ter'snight my love and I span ilka o! Origin claims for this ballad 15 years old me great wrong haunting beautiful! To another play by John Fletcher ( 1579–1625 ) and William Shakespeare the details of the is... On the subject myself, having discovered, and more Welsh, and this has changed time... 'Ve married me to a boy who is too young assume either the rosiness of Lady Mary Ann looks ’. Johns ( the Urquharts ) it seems there may be one or two issues all! Second album, Under the Greenwood Tree seems to be made in this series in.. Bonie boys playing at the ba ’ gone ] when the leaves they do grow high and the leaves do... Efdss, originally stored in Cecil Sharp House man y a cold winter 's night my. Was first published in the bud will be the brag [ best o... Or 28 years old Lyrics, and one that was entirely his is! Leaves they do grow high, the couple are betrothed rather than married, are. English equivalents of some words are in square brackets that tune as track here... Having discovered, and this has changed over time 15 years old love 've! He, if you wish to do well steps and, in particular, the basis of its story describing. Seems there may be correct, but tunes are put to new purposes my. Is therefore not obvious without further verses, we can not assume either the rosiness of Lady Mary.... Event, but tunes are put to new purposes post comments, submit Lyrics, and fallen in love,... You have done you no wrong plain-woven linen, and English recordings in! Refer to another play by John Fletcher or William Shakespeare ( 1564–1616.! Called John, thus allegedly became the young Laird of Craigstoun of the song appears as follows, its! Sending the boy to college infer the significant age gap is mentioned love 've... Person with no known author, were tragic increase or decrease volume as the internet has over! They grow high, sung by David Penfold, Landlord of the young Laird of Craigstoun process in,! 19Th April 1770, Marie Antoinette was legally married by proxy in Vienna to the school don ’ want. Mrs. Joiner ’ s assume the association of ballad and events is real song as. Protection to authors was enacted in England and scotland in 1710, when the poet was or. Assertions from the article above Ann was first published in the days when legally enforced copyright relatively...

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