I particularly appreciated one new mission that has you wrestling with the need to turn off the giant sun lamps that provide light to Midgar’s slums in order to progress further, giving more direct weight to Avalanche’s actions. Suddenly, the unique and foreign world of Midgar gives way to bottom-of-the-barrel JRPG tropes: a shopkeeper who unironically wants you to go kill some rats, a teacher who asks you to find her boring students around town, multiple fetch quests that send you looking for random items for essentially no good reason. As you get stronger, your weapons can even be upgraded with a currency called SP that they earn automatically as the character who carries them levels up. The wait for its release was a long one, but in gameplay, story, characters, and music, it delivers--the wait was worth it. When you’re given the chance to put your all into a battle, there’s no better feeling. If you could somehow skip some of them entirely, you wouldn’t even realize you’d missed anything at all. While you can hack away at enemies all you want with the square button, doing so charges up your ATB bars, which you can then use on unique weapon abilities, equippable spells, and items. While almost everything from the Midgar section of the original game is here – with some rooms being recreated exactly as I remember them and others extravagantly evolving in spectacular fashion – there’s also a whole lot of new stuff too, though not all of it is what I’d consider an improvement. It’s like Square Enix hired every voice actor on the planet to breathe life into these tiny hamlets. Despite that, there’s no denying that this is the best Final Fantasy has been in a long time." The boring RPG filler and Kingdom Hearts-esque convolution that was inserted in between did stop my ear-to-ear grin from being constant, but never long enough to kill the mood completely. Its questionable, dated game design that runs rampant throughout is what makes Final Fantasy VII Remake fall flat. You’ll often need to switch the character you’re controlling directly too, since each one feels like a specific tool for a certain job. Final Fantasy VII Remake . Bear in mind, I was almost always having fun thanks to the excellent combat and I almost always enjoyed what I was seeing thanks to the amazing presentation. (There is a “Classic” mode difficulty option, but all it does is automate all your actions in combat apart from ATB use, making it a strange middle ground I didn’t enjoy.). Thankfully, the guiding star through areas new and old is FF7R’s combat, which more than proves itself to be endlessly engaging across dozens of hours and against more than 100 different types of enemies. While RE3 is a mostly faithful modernization of its original, Final Fantasy 7 is less a remake and more a complete reinvention. I only played this cultural milestone a full decade after its release, at the request of a close friend who was ensnared by Cloud and Sephiroth’s dreamy polygonal good looks. These collectible orbs are slotted into equipment to give a character spells and buffs, allowing you to make whoever you choose act as the mage, healer, tank, etc. This juggling act of managing the ATB of three characters at once can be thrilling when you’re also worrying about the robot trying to pummel your face, and it’s intuitive enough that I got the hang of it quicker than expected.

Running through levels that range from the Midgar slums to industrial Shinra facilities (the visual variety here is actually fairly impressive for a set of locations limited to a single city) and swinging these powerful weapons was always fun, even if that was usually because of the enemies themselves rather than their surroundings. The Good. The Final Fantasy 7 Remake is just the first part of the story, with more entries to come in the future.

This flexibility is really pleasing, and I found myself swapping Materia and roles frequently as the story shook up my party composition. Square Enix has done a great job of making this feel like a bigger story, and showing Cloud’s cold merc heart and awkward social demeanor soften over time gives vital character development to a section of the original that didn’t have much. Not to mention, the music is unbelievably good throughout, featuring excellent remixes of iconic songs that stretch past the walls of Midgar. A great example of this is Roche, a brand-new character who shows near the start of the story for an extra motorcycle chase scene (these sequences are still about as thin as the original was in 1997) and a single fight with Cloud, and is then bafflingly never heard from again.

But beyond a trip for pizza and some light identity theft, you barely get to see it.

FF7R has clearly taken some notes out of the Kingdom Hearts playbook (not always to its benefit, but more on that later) and these intimate, often one-on-one duels are a great example. Leslie, from the Advent Children prequel book The Kids Are Alright, makes direct contact with Cloud this time around, meaning it’s safe to assume the original FFVII is no longer completely canon. There’s more to this development once you dive into the details, but Remake is more than a simple extension of what came before — it’s a wholly reworked narrative that will undoubtedly sink its claws into subsequent releases, and one that should still offer up plenty of ways to hook those already invested in FFVII lore.
The issue isn't that there are new story elements, but that most of them fall apart the moment you think about them too hard. of your party (although their base stats do have some influence on that decision as well). I found myself frequently switching weapons as my Materia builds and party changed, but thought it was poetic that my favorite ended up being the starting Buster Sword by the final chapters. The long wait for this revival may not be a perfect reunion, but with or without nostalgia in play, it’s still a great JRPG in its own right.

Unless you decide to play on its more relaxed difficulty setting, combat in Final Fantasy VII Remake is handled almost exclusively in real time.

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