gene drawn to the deep end review

However, it does demonstrate Gene’s more sensitive side; a re-recorded version of debut single “For the Dead” makes a suicide anthem (“Give me a rope – I’ll take it gladly”) all the more disturbing for its unassuming catchiness, while “I Can’t Help Myself” sounds like a genuine classic that just happened to have been written by Gene. Reviewed in the United Kingdom on 29 July 2014.

Released 17 February 1997 on Polydor (catalog no. Don't post randomness/off-topic comments. Some, like Suede, are doing it right; others, like Blur, are not. I just love this band, I got into them right at the beginning and have snapped up everything they have done since.

Not only because here Gene don't sound like The Smiths clone anymore, but because the songs are much more memorable. To See the Lights is no Hatful of Hollow. The answer to that question seemed obvious. Kula Shaker have inexplicably made two albums since the nineties, and even [email protected], butt of most Britpop jokes, are recording new material. Without changing their style, Drawn to the Deep End expands on it, determined to stretch their boundaries while digging in harder (hiring the ADAM & THE ANTS' old post-punk producer CHRIS HUGHES pays off big time). Your recently viewed items and featured recommendations, Select the department you want to search in. Wouldn't mind a Moz lp of his versions of these songs (fingers crossed). It's dark, melodic and utterly addictive. Craving to get hold of all the Gene reissues I was glad to hold this beloved Gene album in my hands. On Revelations, one year shy of the millennium (how quaint that word sounds now…) Gene discovered the nineties. No apologies - this one gets a 9. a very very solid follow up to the wonderful Olympian debut! Long-forgotten bands are reforming, touring and making new albums. Over four albums, and catch all b-sides compilation "To See The Lights", the band explored humanity with increasing effectiveness and skill. The band spent months working on the album, experimenting with styles … A lot of time and money was spent on Gene's sophomore effort 'Drawn to the Deep End'. This page works best with JavaScript. It was released in March 1997. Drawn to the Deep End, an Album by Gene. All in all this compilation is still a must for any Gene fan, but leaves a lot to be desired regarding the loveless leaflet and poor research work. – but they’re anthems which seemed too purpose-built to truly soar.

Drawn to the Deep End, remains a fascinating listen, if only because it hints at so many pathways they could have taken to save themselves from punchline status. Again, I would say I'm surprised this band did not achieve the success of their contemporaries but this album stands the test of time and is well worth purchasing. I also notice the guitars have that same Britpop sound of other groups of that time period: OASIS, CAST, STONE ROSES, etc. You could have been banned by mistake. kind of like Morrissey with bigger balls. CD is awesome. Disabling it will result in some disabled or missing features. A comfortable home for some of their more lunkheaded singles (“Be My Light, Be My Guide” and “Sick, Sober & Sorry” are clustered up front), and some average live versions and radio sessions (with more of the same found on its bonus disc), it’s the kind of collection for which most bands would have stockpiled as their stock waned – or, indeed, a bunch of songs perfect for scattering onto reissues as bonus tracks a few years down the line. Strong album but what a horrible cover.

This page works best with JavaScript. And never mind heart tugging, there's a passage in "Speak to Me Someone" (which was previewed on Gene's 1995 U.S. tour) that is out-of-the-blue heart stopping, one of those musical moments that makes the room freeze: a simple, screamed "no!!!!" A … Find helpful customer reviews and review ratings for Drawn To The Deep End at Amazon.com. Out with subtlety, in with chest-beating, big guitars and clumsy attempts at state-of-the-nation addresses (“Bevan spins round in his grave,” anyone?). Nine years too late. Bouncy opener “Haunted by You” cops a trick out of the Johnny Marr playbook by piling on verse after verse, before exploding in a glorious, never-ending chorus for its final ninety seconds, while the swooning highs of “London, Can You Wait?” and the epic title track hint at the grandeur that would follow. 6, sober and sorry. One reviewer said it's their Disintigration and I agree 100%. EACH NEW EDITION OFFERS EXTRA MATERIAL AND THE OPPORTUNITY TO SEE BEYOND HISTORY’S LAZILY TROTTED OUT ‘BRITPOP’ TAG. We use cookies and similar tools to enhance your shopping experience, to provide our services, understand how customers use our services so we can make improvements, and display ads. There's a problem loading this menu right now. Even the ill-advised stabs at sophistipop on tracks like “O Lover” (far more worthwhile than its initial impression of New Morning-era Suede covering “L.O.V.E.

The questing of the mid-nineties music industry to build a new Jerusalem in Camden Town left bands of the era with two choices: evolve or die. At one point they could have been kings. Approved third parties also use these tools in connection with our display of ads. Yet, while they were never a band for the ages, these deluxe editions boast at least one hidden gem worth revisiting. … Now, overlooked and ignored by Megador Records, the band have quietly faded from view to day jobs and memories.

They try to rid themselves of the Smiths stigma by being louder and blunter ending up with a record where it's tough to find a single memorable hook. You might be using a VPN. Why aren't they more popular? Each of the editions is packed in a double CD set, with the original album appended by b-sides and extra songs. "Save Me I'm Yours" and "The Accidental" (featuring a surprising, terrific, guest female vocal solo) are the most touching tracks, so hushed and melancholic yet sweet, they make you fight back tears, a feeling that lurks throughout as Drawn burbles on.

EARLIER THIS WEEK ALL FIVE OUT-OF-PRINT STUDIO ALBUMS BY GENE WERE REISSUED. Tilannetta ei paranna laulaja Martin Rossiterin ääni, jonka takia Genestä puhutaan aina The Smithsin halpakopiona. All the community rules apply here. Search me?! Lead single “As Good as It Gets” suffers from the same issues as “Fighting Fit” – a factory-constructed stadium anthem – but with the added pathos of only worth playing as the house lights go back up and the crowds depart. Adding up to this it appears to me that Edsel has finally run out of ideas, hence the sparse illustrations of memorabilia and unreadable articles from Melody Maker and the Washington Post, as well as photographs which have already been used for the Olympian re-release, not to mention the absence of chart positions,single track lists and tour dates. The booklet doesn't satisfy me at all: In the interview section the former band members give this fantastic album a bit of a negative image, over emphasizing Martin Rossiter's mental state at the time of recording and by constantly stating that the whole project failed to be a million seller - as a loyal fan who loved the band and their music at that time this is hardly understandable. 537 310-2; CD). Drawn to the Deep End is a noble failure, and warrants a valiant 7. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Another Gene album and another batch of recycled reviews labelling them a sub-standard Smiths' tribute band. Nine years too late.

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Better still is “Where Are They Now?” – five minutes which both justify and transcend those lazy “new Smiths” comparisons; built on layers and layers of guitarist Steve Mason’s deft picking, its winding structure sounded like an outtake from Morrissey’s nineties high water mark Vauxhall & I, while Rossiter’s lyrics took on a profundity (“The smallest gentle gesture keeps the enemy at bay”) they never managed again. I enjoy the slower ones better than their call-to-arms anthems i.e. Yet, somehow, in the face of public and internal indifference (their anthemically resigned final single, “Let Me Move On” also spoke for itself) Gene managed to make their most experimental album without a trace of self-consciousness. Alex the results are more than satisfying. (Required), You can request being unbanned by clicking.

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