Just leave us a message here and we will work on getting you verified. Random and hilarious, and with some expected misfires, this is a funny satire on Japanese culture that's worth the watch because of some memorable movie scenes and good acting. So you're watching all this amazing food being consumed, you're getting hungrier and hungrier and you're laughing harder and harder. |, October 27, 2016 Itami stuffed his noodle' Western with homages to the likes of Shane and thespaghetti' works of Sergio Leone, as well as such chambara classics as Akira Kurosawa's Seven Samurai and Yojimbo, which were, of course, recast as the Westerns The Magnificent Seven and A Fistful of Dollars.

Please click the link below to receive your verification email. Although the central image is of an Eastwood-style hero on an ultimate quest, there are all sorts of other sly little satirical asides, including one so perfectly aimed that even to describe it would take away some of the fun. There were quite a few bits I found to be random which were probably cultural references but if you are amused by randomness then you'll find they flow in with the rest of the general wackiness. Don't have an account? Most times it is not. Who cannot identify with the search for the perfect noodle? (The beggar foodies especially reminded me of the Chinese wuxia stories.) A wild and uniquely Japanese culinary fantasia, but it's also not particularly cohesive. A recently widowed single mom whose noodles are “sincere, but lack character,” Tampopo (Nobuko Miyamoto) is struggling to get by on her own.

Tampopo is characterized by a remarkable easiness by which the narrative, as noodle western, integrates glances to different genres, producing a sort of kaleidoscope for the spectator to enjoy.

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It unfolds as a series of madcap, effortlessly charming comic vignettes, centred around food and food culture in mid-'80s Japan. Bauer Media Group consists of: Bauer Consumer Media Ltd, Company number: 01176085, Bauer Radio Ltd, Company Number: 1394141, Registered Office: Media House, Peterborough Business Park, Lynch Wood, Peterborough, PE2 6EA H Bauer Publishing,Company Number: LP003328, Registered Office: Academic House, 24-28 Oval Road, London, NW1 7DT.All registered in England and Wales. We won’t be able to verify your ticket today, but it’s great to know for the future. ... Tampopo (from the Japanese for dandelion) was the least socially corrosive of Itami's pictures and its inspired movie pastiches have made it … The narrative freely flows from instructional documentary to slapstick, from romantic melodrama to yakuza movie, from spy narrative to road-movie. Japanese films have commented before on the intrinsic connection between food and sex, but not with the erotic gusto of Juzo Itami's Tampopo and rarely with the comic lustiness of this broad-scale satire. This makes the film ultimately pointless. Like the French comedies of Jacques Tati, it's a bemused meditation on human nature in which one humorous situation flows into another offhandedly, as if life were a series of smiles. The movie then turns into the fairly freestyle story of the efforts by Tampopo and her protector to research the perfect noodle and open the perfect noodle restaurant. We want to hear what you have to say but need to verify your account. The funniest French films were by Tati, who seemed totally absorbed in himself. And this very, very Japanese movie, which seems to make no effort to communicate to other cultures, is universally funny almost for that reason. Charming and touching, with lots of sumptuous meals to inspire you to get cooking. All rights reserved. Coming Soon, Regal I'm still asking myself how this managed to be so entertaining.

| Top Critics (15) Coming Soon. A timeless feast for the senses, saw it twice in college with friends. | Rating: 10/10

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